Objects








Unruly Tools 2025 | Kitchenware, motors, fabricated parts
This work animates kitchen tools to move on their own, disrupting their normal functions. By reversing the roles of user and object, it raises questions about control, dependence, and the dynamics of domestic space.













Consuming Apparatus 2025 | Eating tools, Arduino, sensors, motors
A set of mechanized utensils disrupts the simple act of eating. Movements programmed through Arduino create moments of resistance, hesitation, and surprise, turning a private routine into a shared performance between body and machine.









                                 
A System-Fed Movement Experiment Take 1.2.3.4.5.... 2025 | Video performance, green screen, plaster, rice
This video installation stages a nonfunctional kitchen as a space of systemic control. Set within a rigid grid, performers navigate loops of consumption, labor, and ecological abstraction. Using green screen and layered video editing, the work merges fake food imagery with biomaterials to critique domesticity, desire, and sustainability in designed systems.







Counter Actions 2025 | Domestic tools, sensors, motors
This project uses interactive sensors to activate ordinary kitchenware, turning them into moving art objects. The work sketches a way to rethink how tools operate in and suggests possibilities for broader multidisciplinary experiments




                         


User Error: Guide to Non-Usage  2025 | video performance
Utilizing furniture as both an obstacle and a collaborator, this video performance examines how design influences bodily behavior. By climbing chairs, tables, and door frames instead of using them conventionally, the piece questions who is in control—the human or the tool. Furniture becomes a site of resistance, misuse, and reimagined intimacy.










Soft Refuse 2025 | Leftover food, gelatin, hair
This sculptural experiment explores the relationship between desire and waste by reusing discarded food as raw material. By combining gelatin with bodily residue like hair, the work tests the limits of organic decomposition and transformation—investigating the potential of bio-based waste as sculptural matter. The ephemeral nature of the material challenges ideas of permanence, nourishment, and the aesthetics of decay




















Pillow 2022






                     
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